Black people in this country understand that they’ve had a very, very tough go of it, and some of them can get past that, and some of them cannot. I don’t think there’s a black American who hasn’t had a personal insult that they’ve had to deal with because of the color of their skin. I don’t think there’s one in the country. So you’ve got to accept that as being the truth. People deal with that stuff in a variety of ways. Some get bitter. Some say, [unintelligible] “You call me that, I’m gonna be more successful.” OK, it depends on the personality.
So it’s there. It’s there, and I think it’s getting better. I think black Americans are starting to think more and more for themselves. They’re getting away from the Sharptons and the Jacksons and the people trying to lead them into a race-based culture. They’re just trying to figure it out: “Look, I can make it. If I work hard and get educated, I can make it.”
You know, I was up in Harlem a few weeks ago, and I actually had dinner with Al Sharpton, who is a very, very interesting guy. And he comes on The Factor a lot, and then I treated him to dinner, because he’s made himself available to us, and I felt that I wanted to take him up there. And we went to Sylvia’s, a very famous restaurant in Harlem. I had a great time, and all the people up there are tremendously respectful. They all watch The Factor. You know, when Sharpton and I walked in, it was like a big commotion and everything, but everybody was very nice.
And I couldn’t get over the fact that there was no difference between Sylvia’s restaurant and any other restaurant in New York City. I mean, it was exactly the same, even though it’s run by blacks, primarily black patronship. It was the same, and that’s really what this society’s all about now here in the U.S.A. There’s no difference. There’s no difference. There may be a cultural entertainment — people may gravitate toward different cultural entertainment, but you go down to Little Italy, and you’re gonna have that. It has nothing to do with the color of anybody’s skin.
O’REILLY: You know, and I went to the concert by Anita Baker at Radio City Music Hall, and the crowd was 50/50, black/white, and the blacks were well-dressed. And she came out — Anita Baker came out on the stage and said, “Look, this is a show for the family. We’re not gonna have any profanity here. We’re not gonna do any rapping here.” The band was excellent, but they were dressed in tuxedoes, and this is what white America doesn’t know, particularly people who don’t have a lot of interaction with black Americans. They think that the culture is dominated by Twista, Ludacris, and Snoop Dogg.
WILLIAMS: Oh, and it’s just so awful. It’s just so awful because, I mean, it’s literally the sewer come to the surface, and now people take it that the sewer is the whole story —
O’REILLY: That’s right. That’s right. There wasn’t one person in Sylvia’s who was screaming, “M-Fer, I want more iced tea.”
WILLIAMS: Please —
O’REILLY: You know, I mean, everybody was — it was like going into an Italian restaurant in an all-white suburb in the sense of people were sitting there, and they were ordering and having fun. And there wasn’t any kind of craziness at all.
Sanchez, in a phone interview, said O’Reilly is perpetuating racism by using “the Mandingo argument” against black rappers. “The idea [is] that there’s a big, bad African American out there that we all need protection from,” he said. “It’s a dangerous way of looking at racial relations. The African American community is extremely complex. The thinking that black culture is confined to guys sticking their underwear out is just wrong, and many African Americans resent it.”