THE WEEKLY STANDARD has learned from a military source close to the investigation that Pvt. Scott Thomas Beauchamp–author of the much-disputed “Shock Troops” article in the New Republic’s July 23 issue as well as two previous “Baghdad Diarist” columns–signed a sworn statement admitting that all three articles he published in the New Republic were exaggerations and falsehoods–fabrications containing only “a smidgen of truth,” in the words of our source.
An investigation has been completed and the allegations made by PVT Beauchamp were found to be false. His platoon and company were interviewed and no one could substantiate the claims.
Could the Army investigation be a means of sweeping embarrassing facts under the rug? Sure. Could the military pressure a private into recanting a true story? Sure — though Beuchamp, at present, has enough visibility to be more protected from retaliation than the typical soldier. Be as it may, if the story recantation story pans out, it will no doubt breathe a new life into the story.
[W]hile I think the story of the boy who had his tongue cut out raises further doubts about Beauchamp’s credibility, it also points to the aburdity of claims that TNR editors were eager to publish Beauchamp because his writings put U.S. troops in Iraq in a bad light. (Unless, of course, one wants to claim that TNR and Beauchamp cleverly conspired to ensure that his first diarist piece focused on atrocity by the insurgents in order to avert suspicion of anti-Americanism — which is probably not too paranoid for a few websites.)
Consider: is it really “paranoid” to suggest that a writer working to establish credibility would be careful to describe the barbarism of “both sides” (and aren’t we always told that what separates “us” from “them” is that we do not behave like them, making the subsequent barbarism of the American troops reported in Beauchamp’s follow-up pieces all the more pointedly ironic)?
In fact, isn’t it that juxtaposition itself that gives the pieces their pointedness and, to some, their poignancy?
The idea that war turns us into what we are fighting is the “literary” conceit being serviced by Beauchamp’s collection of essays — and in the aggregate, his pieces are, in my reading, intended to supply this practiced layer to the anti-war narrative embraced both by Foer and (if we can believe his other writings, or view his political affiliations as “significant” with respect to his literary output) Beauchamp.
Sorry — I find it hard to believe that Beauchamp sought “juxtaposition” between an essay published in February and an essay published in July. People weren’t reading his essays in a collection of books, they were reading them in a weekly magazine, and except for a handful who were paying special attention to the “Baghdad Diarist,” I doubt that most even remembered that the “Shock Troops” article was written by the same guy who wrote about the insurgents cutting out a kid’s tongue. If Beauchamp wanted “juxtaposition” between the atrocities of the insurgents and the dehumanization of U.S. soldiers to the point of becoming “just like the enemy,” surely he would have made it in one article, not two different essays separated by months. Besides, especially compared to an atrocity like cutting off a child’s tongue, the behavior Beauchamp imputes to U.S. soldiers hardly qualifies as “barbaric.”
Meanwhile, in the comments, “Jeffersonian,” who says he is a longtime fan of mine and defends me against some of the more spirited comments from his fellow posters, accuses me of being “disingenuous” in this case:
TNR obviously knew what Beauchamp was going to write before he did, given the nature of his oeuvre. Of the tens of thousands of soldiers in Iraq, they just happened across this guy? … TNR picked STB for a reason, and it wasn’t because of his purple prose.
As I recall, Beauchamp was recommended to TNR by his fiancee Elspeth Reeve, a staffer at the magazine. It’s not as if the magazine went looking for a soldier to write “Diarist” pieces. I do think that, to a large extent, Beauchamp was given a platform because he was someone the TNR editors saw as “one of us”: a guy with a background in creative writing and journalism, as well as a Howard Dean supporter. I think it’s also fair to say that the first Diarist piece, while not negative toward American troops in Iraq, showed them as mired in bleak and awful futility: at the end, Beauchamp reflects on his feelings of helplessness at his inability to protect the boy. So in that sense, it certainly fits into the current world-view at TNR. On the other hand, it could also be read as implying that if we withdraw from Iraq, we will leave the population in the hands of people who cut out children’s tongues to make a point.
Finally, I’m not sure why some of Jeff’s commenters think I’m helping “close ranks” in defense of TNR, or wondering what my reaction will be “if Beauchamp’s recantation is acknowledged and TNR still holds the articles as representative of the magazine’s journalism.” Where exactly is my defense of TNR? I said I believed that Beauchamp is a fabulist or at least a partial fabulist, and that TNR is wrong to stand by him. Nor did I ever say the story didn’t matter; I specifically said does, because I think journalistic integrity, particularly in reporting from a war zone, is important. I think they’re guilty of shoddy journalism, but not of trying to undermine the war. As far as I know, no anti-war blogs picked up Thomas’s piece or tried to trumpet his allegations before conservative blogs drew attention to the piece.
This is not to say that Beauchamp’s stories should have been left unchallenged — only to say that, even unchallenged, they would have been unlikely to have much tangible effect, good or bad.